A good motion designer on retainer costs $5,000 to $6,000 a month, and he takes 2-3 weeks for a 60-second animated explainer.
That was the deal for every founder who wanted their product to move on screen.
Pay a lot.
Wait a long time.
This week I opened Claude Opus 5.5, pasted one prompt, and got a launch video back in under 10 minutes without any third-party app.
Today I’m giving you the prompts.
What you will get inside this issue
5 tested Opus 5.5 motion graphics prompts with the actual videos they made.
And for paid members, my full library of 100+ motion graphics prompts across 10 categories, ready to copy and paste.
Why I Started Doing This
I make my own brand videos.
Every intro, every product clip, every animated stat you’ve seen from AI In Public.
For a long time that meant one of two things.
Pay someone and wait.
Or open editing software at midnight and fight keyframes until 3 AM.
When Opus 5.5 dropped on September 22, my feed filled up with motion graphics videos.
Logo reveals.
Launch trailers.
Full music videos.
I didn’t believe half of them.
Then I saw this one.
Turn your sound on before you press play.
Prasenjit@prasenx
for context: opus 5.5 wrote all the code that rendered every frame and synthesized the music. no video or audio tools, no samples. made in cursor, one prompt:
make a dynamic 15-second motion graphics video that shows what an incredible motion designer you are, like it's your…
4:43 AM · Sep 26, 2026 · 1.3K Views
2 Replies · 1 Repost · 17 Likes
The creator says he knows nothing about motion design.
He gave Opus 5.5 one prompt.
It wrote the code that rendered every frame, and it composed the music from scratch.
That’s when I stopped scrolling and opened Claude.
I tested it myself every day for a week, and then I got a full 100+ prompt library, which I am going to share with you today
Who You Become After This Issue
You stop being the person who says “we should hire a video maker or video editor.”
You become the person who ships a launch video the same day the product goes live.
Who turns a boring stat into a clip people share.
Who has a brand that moves while competitors post static images.
With a single prompt.
What These 100+ Prompts Do For You
You ship faster. A launch video stops being a 3-week project. It becomes something you make the morning of the launch.
You keep the money. Every prompt replaces work you’d otherwise pay a designer for.
You can test 10 versions. Change the colors, the copy, the pacing. Make five versions and post the best one. No designer is going to make you five versions for free.
Your brand stays consistent. Swap in your colors and fonts once. Every video after that looks like it came from the same studio.
You own it. The output is a file. Edit it, reuse it, remix it next month.
5 Prompts, 5 Videos
Every prompt below is copy-paste ready.
I’ve filled in real example brands so you can see exactly how it works.
Swap in your own name, colors, and copy.
Prompt 1: Personal Brand Video Prompt
Build a 24-second brand motion reel for AI In Public in Remotion (React), 1920×1080, 60fps (1440 frames). Every frame and every sound is made in code: no stock footage or stock music. Render it to MP4 (H.264, high quality, AAC audio).
BRAND
- Background: logo blue #3D40FE on every scene, as a living gradient: a darker #2A2DE0 at the edges, a brighter #4A4DFF glow in the center, and a slow drifting light spot so the background is never flat.
- Graphics on the blue: white as the main color, deep navy #0A0B3D for contrast and shadows, light blue #8C8EFF and ice #C9CAFF for secondary details.
- Glows on blue are white or ice (soft white bloom), not blue.
- Fonts: Archivo Black for headlines, Instrument Serif Italic for taglines, JetBrains Mono for technical labels.
- Logo: a white "A" mark with a 4-point sparkle (public/logo-mark.png, transparent). Use the sparkle as a recurring motif.
- Tagline: "learning AI, out loud."
SMOOTHNESS (no lag, no stutter)
- Render at 60fps. Every animation must be driven by the frame number and look identical at any frame (no randomness per frame, no Math.random).
- Animate only transform and opacity. Avoid CSS blur() filters on many elements at once; use a few pre-blurred glow layers instead.
- Add real motion blur to fast moves (warp, title slam, kinetic type, particles) with @remotion/motion-blur (CameraMotionBlur, ~5 samples), or with stretched trails.
- Camera shake uses smooth noise (sum of slow sine waves), never per-frame jitter.
- No hard jumps between scenes: every cut is a designed transition (zoom-through, whip-pan with blur, iris wipe, or a white flash) lasting 8–14 frames.
- Film grain is a small pre-made noise texture shifted each frame at ~5% opacity, not a full-screen SVG filter rebuilt every frame (keeps both render and playback smooth and the file small).
- Keep particle counts reasonable (≤1,400) and draw them in one SVG.
MUSIC & SOUND (suspenseful, generated in code)
- Write a Node script that synthesizes a 24-second WAV (44.1kHz stereo) with no external samples, then add it with <Audio src={staticFile("music.wav")} />.
- Track structure, synced to the scenes:
- 0–3s: dark low drone (two detuned sine/saw waves around 55Hz with slow filter movement) plus a quiet ticking clock pulse. Tension.
- 2–3s: a rising white-noise riser and pitch sweep into the warp, ending in a deep sub-boom impact at the title slam.
- 3–19s: a heartbeat sub-bass pulse at 120 BPM, a ticking hi-hat, an eerie high string-like pad (slow vibrato), and short whoosh sounds on every scene transition.
- Terminal scene: soft keyboard clicks synced to each typed character, plus a "confirm" blip on "✓ shipped".
- 17.5–19s: a hard hit on each kinetic word (PROMPT / BUILD / SHIP / REPEAT), building intensity.
- 19–22s: a long riser as the particles gather, then a big cinematic boom + shimmer when the logo locks.
- 22–24s: the drone resolves to a calm, held chord and fades out.
- Every impact, whoosh and boom must land exactly on its visual frame. Master to about -14 LUFS with no clipping.
GLOBAL LAYERS (on top of every scene)
- HUD in white: corner brackets; top-left "AI IN PUBLIC · MOTION REEL · 2026"; top-right the scene label ("03 — EASING"); bottom-left a blinking ● REC with a running timecode; bottom-right "BUILDING IN PUBLIC"; a thin white glowing progress bar along the bottom.
- Finish: light film grain, a soft navy vignette at the edges, very faint scanlines.
- Camera shake: about 14px, smooth, decaying over 20 frames, on impact moments (synced with the booms and hits).
SCENES
1. Signal (0–2s): a white dot springs into the logo's sparkle. 16 white and ice rays burst out, a ring of rotating text circles it ("AI IN PUBLIC · LEARN · BUILD · SHARE"), a horizontal white lens flare, and an expanding ring. It ends by zooming 9× into the sparkle (zoom-through transition).
2. Warp (2–3s): hyperspace on blue. 260 white, ice and navy streaks rush toward the camera with motion blur and accelerate; a glowing white core grows into a white flash.
3. Title slam (3–5s): "AI IN PUBLIC" giant (230px, white). Letters spring up one by one with a skew, plus a navy/ice chromatic split that settles and glitches once. A light sweep crosses the letters, with a huge soft white sparkle rotating behind at low opacity. Below: "learn it · build it · share it" in serif italic.
4. Prompt terminal (5–8s): a deep navy terminal window with a white glow floats in 3D over a scrolling white grid. It types: ai › make a launch video for AI In Public. blue + white. go big. Log lines then appear (reading brand, studying reference, writing scenes, composing score) and a █ progress bar fills to 100%. Ends with a big "✓ shipped. in public."
5. Easing study (8–10s): "Six ways to get an idea out in public." Six rows (linear, ease-in-out, expo-out, back-out, elastic, bounce) tagged /IDEA /PROMPT /DRAFT /TEST /ITERATE /SHIP, each with its curve icon. White and navy dots race the same distance with motion blur and trails; a ring pops when each dot arrives.
6. Neural network (10–12.5s): a 3-6-8-6-3 network drawn layer by layer in white. Signal pulses travel along highlighted edges and nodes fire with a white glow, going from "INPUT · YOU" to "OUTPUT · EVERYONE". Caption: "Ideas compound when you share them."
7. Morph (12.5–14.5s): one glowing white shape morphs circle → triangle → sparkle (radial interpolation), with an orbit of matching mini-shapes and dashed rings. It resolves into the real logo with a spring and glow.
8. Truchet system (14.5–16s): a grid of white quarter-arc tiles reveals outward from the center. A wave sweeps left to right, rotating tiles 90° and turning them into dashed navy arcs.
9. Depth (16–17.5s): a rotating 3D torus of ~1,100 points with perspective depth, white points with navy accents, over a soft light spot.
10. Kinetic type (17.5–19s): PROMPT. → BUILD. → SHIP. → REPEAT. One word every 22 frames (at 60fps): letters spring in with motion blur, outlined echo copies stack above and below, the period is always navy, and every word lands with a camera hit and a sound hit.
11. Finale (19–24s): ~1,400 white particles sampled from the logo's pixels swirl in from across the frame and assemble the logo. It locks into the crisp logo with a white glow pulse, a shockwave ring and the big boom, then slides left. "AI IN PUBLIC" wipes in with a light sweep, then "learning AI, out loud." A footer line reads "MOTION REEL · 2026 | EVERY FRAME WRITTEN IN CODE | FOLLOW THE BUILD →". Slow fade to deep navy as the music resolves.
MOTION RULES
- Fast but smooth: every element enters with spring physics or an expo-out ease; nothing is static, nothing jumps.
- Glows come from drop-shadows and soft white radial gradients, never flat fills.
- Keep everything inside a 72px safe margin.
- Before the final render, check still frames from every scene and listen-check that sound hits match the visuals.Prompt 2: Opus 5.5 Motion Designer
TITLE: "Claude Opus 5.5 — Motion Graphics Designer"
FORMAT: exactly 25 seconds, 16:9, 1920x1080, native 60fps with perfectly constant frame pacing. Ultra-smooth: no stutter, no frame skipping, no jitter, no speed jumps, no flicker, no warping or melting objects. One single continuous camera move from first frame to last, like a motion-control rig or a stabilized gimbal: no cuts at all. Every transition is a continuous morph or camera move. Natural, soft motion blur on fast moves. All text stays sharp, stable and correctly spelled.
VISUAL STYLE: premium dimensional motion design. Glossy, tactile 3D objects in a dark studio. Think of a high-end product launch film crossed with a motion design showreel. A deep charcoal-black studio (#121212) with a glossy reflective black floor that mirrors everything above it. One hero object: a glowing orange-red glass sphere (#FF4F1F), polished, with soft internal light, crisp specular highlights and real refraction. Type is thick, rounded, glossy warm-cream 3D lettering (#EDE9E0) with soft bevels and gentle reflections in the floor. Lighting: one large soft key light from above left, a warm orange rim light from behind, and the sphere itself casting a warm orange glow on the floor and nearby letters. Shallow depth of field, smooth bokeh, subtle film grain. Palette strictly charcoal, warm cream and orange-red. Clean, confident, minimal. Never cluttered.
MOTION RULES: every movement uses real physics: anticipation before it moves, a springy overshoot, and a soft settle. Bounces have proper squash and stretch on the sphere. Camera moves always ease in and ease out, never start or stop abruptly. Everything moves in sync with the music.
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
0:00–0:02 | THE DROP (hook)
Low camera angle, close to the glossy black floor, slowly dollying forward. Empty dark studio. At 0:00.5, exactly on the first beat, the orange glass sphere drops from above into frame and hits the floor with a satisfying squash. A ring of warm orange light ripples outward across the reflective floor from the impact point like liquid. The sphere bounces once, smaller, and settles.
0:02–0:06 | MOTION
The sphere rolls forward and the camera tracks alongside it, smooth and steady. As it rolls, the six letters of the word "MOTION" rise out of the floor one per beat, each popping up with a spring overshoot and a tiny settle, glossy cream 3D letters reflected in the floor. The sphere hops onto the letters and bounces across their tops from left to right like a ball skipping across piano keys, one bounce per beat, each letter dipping slightly under the impact and springing back. On the final letter, the sphere launches high into the air.
0:06–0:10 | MORPH
The camera tilts up smoothly to follow the sphere into the air. At the top of its arc, the sphere hangs weightless and morphs in one fluid, liquid motion: sphere → soft rounded cube → glossy torus → long pill shape → back to a sphere, one shape per beat, each change smooth like molten glass with light refracting through it. Behind it, three frosted glass panels slide in at different depths, each with a thin glowing orange line drawing a different easing curve: a smooth S-curve, a spring curve with an overshoot, and a bouncing curve. Gentle parallax between the panels as the camera drifts.
0:10–0:14 | THE ORBIT
The frosted panels slide away. A ring of glossy cream 3D words forms around the floating sphere and orbits it smoothly: "EASING · SPRINGS · LOOPS · 3D · TYPE ·". The camera orbits around the whole arrangement in the opposite direction, creating rich, smooth parallax. The words catch the orange light as they pass in front of the sphere and glide into soft focus behind it. The sphere pulses gently with each beat.
0:14–0:18 | THE FLOW (build)
The camera pushes slowly through the gap in the ring toward the sphere. The sphere splits into thousands of tiny glowing orange spheres that pour out and flow like a liquid ribbon, swirling around the camera in a graceful spiral, rising and falling in waves that follow the music's build. The ribbon gets faster and brighter as the music rises, the floor reflections shimmering beneath it. In the last half second, every particle freezes mid-air for a single held breath.
0:18–0:22 | THE REVEAL (drop)
At 0:18.0, exactly on the drop, all the particles snap together in one satisfying motion and form the title in large glossy cream 3D lettering, centered and filling most of the frame:
Line 1: "Claude Opus 5.5"
Line 2: "Motion Graphics Designer"
The orange glass sphere reforms, arcs in on a spring, and lands as the period at the end of "Designer" with a squash and a ring of light rippling across the floor. The camera settles into a slow, steady push-in. The title reflects cleanly in the glossy floor. Hold calmly so it can be read.
0:22–0:25 | LOOP
The camera eases back. The title letters gently sink back down into the floor one by one, in reverse order, with soft springs. The sphere rises from the period, floats up and out of the top of the frame. The camera glides back to the exact low angle of the opening. The final frame is the empty, dark glossy studio floor, identical to frame one, so the video loops seamlessly.
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
MUSIC: an original, catchy, upbeat instrumental, exactly 120 BPM, 4/4, in a bright major key. Style: modern indie-electronic pop with a feel-good, premium tech-commercial energy. Core elements: a bright, memorable plucked-synth hook melody (a short five-note phrase that repeats and sticks in your head), a bouncy rubbery bassline, crisp handclaps and stomps on beats 2 and 4, tight finger snaps, shimmering bell and glockenspiel accents, and a warm pad underneath.
Structure synced to the picture:
0:00–0:02: a single deep bass hit and a bright bell ping exactly when the sphere hits the floor, then the hook melody enters alone on the plucked synth.
0:02–0:06: claps, stomps and bass join; each bounce of the sphere on the letters lands on a note of the hook melody.
0:06–0:10: the groove fills out with snaps and a glockenspiel countermelody; soft swooshes under each shape morph.
0:10–0:14: full groove with the hook repeating, airy stereo whooshes panning with the orbiting words.
0:14–0:18: the build: a rising filter sweep, a snare roll speeding up, a rising synth riser, and half a second of total silence right before 0:18.
0:18–0:22: the drop: the full hook melody returns big and wide, with a punchy brass stab and a deep impact exactly as the title forms and the sphere lands as the period.
0:22–0:25: the music winds down to just the plucked hook, resolving on its final note, ending on a single clean bell ring that matches the opening ping so the music loops with the video.
No vocals. No lyrics. No harsh EDM drops, no aggressive bass, no dubstep. Bright, warm, catchy and polished.
NO logos, NO watermarks, NO extra text beyond what is specified.Prompt 3: Western Civilization
TITLE: "Western Civilization — Every Age Drew a Bigger Circle"
FORMAT: exactly 28 seconds, 16:9, 1920x1080, native 60fps with perfectly constant frame pacing. Ultra-smooth: no stutter, no frame skipping, no jitter, no flicker, no warping or melting objects. No cuts at all: the entire film is ONE continuous infinite zoom. The camera pushes forward the whole time at a smooth, steady exponential rate, slowing gently as it approaches each circle, speeding up as it dives through it, and easing out on the other side into the next era. Every era is hidden inside a circle in the previous one. All text stays sharp, stable and correctly spelled.
CORE CONCEPT: the history of Western civilization told through circles. A compass circle in sand, a temple oculus, a rose window, a globe, a telescope lens, a steam flywheel, the Moon, a silicon wafer. The camera dives through each circle into the next age. A thin bone-white circle outline stays centered on screen through the whole film as a guide, growing larger with each era.
VISUAL STYLE: bold modern editorial collage, like a Swiss poster in motion. Strict three-color palette: International Klein Blue (#002FA7), bone white (#F1ECE2) and deep black (#0A0A0A). No other colors anywhere. Every object and surface is rendered as rich, realistic material (sand, marble, stained glass, brass, iron, lunar rock, silicon) but processed as a blue-and-white duotone with a fine halftone dot texture, like a high-end printed poster come to life. Real depth: objects sit at different distances and move with smooth parallax. Subtle paper-print grain. Soft vignette.
TYPOGRAPHY: one massive extra-condensed bold uppercase sans-serif typeface (tall, narrow, heavy, very tight tracking) for the single headline word in each era, set huge, filling most of the frame height, in bone white. A small clean monospace typeface for the year and place label in each era. No serif fonts anywhere. Headline words are placed in 3D space between the camera and the scene, so the camera flies past and through the letters with parallax as it zooms.
YEAR COUNTER: along the left edge, set vertically, a tall rolling odometer of year digits in the monospace typeface, bone white. As the camera dives through each circle, the digits spin smoothly and land on the next year, like a mechanical counter.
MOTION RULES: every move eases in and out. Objects drift with gentle parallax. Headline words slide in on the beat with a quick, clean ease-out and no bounce, hold, then rush past the camera as the zoom accelerates. Light beams and glints move slowly and smoothly. Everything locks to the music's beat.
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
0:00–0:03 | MEASURE
Top-down view of fine pale sand in blue duotone. A bronze compass slowly draws a perfect circle in the sand, grains spilling softly along the line. The headline "MEASURE" slides in, huge, in bone white. Small monospace label: "ALEXANDRIA · c. 300 BC". The camera begins pushing in toward the center of the circle, and the sand inside it darkens into a deep opening.
0:03–0:06 | BUILD
The camera dives through the sand circle and emerges looking straight up inside a vast domed Roman temple, at the round oculus open to the sky. A single solid beam of light falls through the oculus past the camera, with dust floating inside it. Coffered ceiling squares recede toward the opening with strong perspective. "BUILD" slides in. Label: "ROME · AD 126". The camera rises up through the beam toward the oculus.
0:06–0:09 | BELIEVE
The camera passes through the oculus into open sky, and the sky closes in and becomes a giant circular rose window of a Gothic cathedral, seen from inside. Its intricate stone tracery and glass glow in luminous blue and white, light streaming through. "BELIEVE" slides in. Label: "PARIS · c. 1250". The camera pushes toward the bright center medallion.
0:09–0:12 | EXPLORE
The glowing center of the rose window turns into an antique hand-painted globe, rotating slowly on a brass stand, with old coastlines, sea monsters and sailing ships drawn on its surface. "EXPLORE" slides in. Label: "NUREMBERG · 1492". The globe turns and the camera glides toward a circular brass compass rose painted on its ocean.
0:12–0:15 | OBSERVE
The compass rose becomes the round glass lens at the end of an early brass telescope. The camera dives through the lens, the image refracting and bending beautifully at its edges, and emerges into a night sky looking at a cratered, detailed Moon. "OBSERVE" slides in. Label: "PADUA · 1609". The camera drifts toward the round edge of a crater.
0:15–0:18 | POWER
The crater rim becomes the rim of a huge iron flywheel on a steam engine, spinning steadily. Pistons pump in rhythm, soft white steam drifts through the frame, rivets catch the light. "POWER" slides in. Label: "BIRMINGHAM · 1769". The camera pushes toward the round hub at the center of the spinning flywheel.
0:18–0:21 | REACH
The spinning hub slows and becomes the full Moon again, now much closer, with a small lunar landing module resting on its gray surface and the black sky behind it. A single footprint sits in the dust in the foreground. "REACH" slides in. Label: "TRANQUILITY BASE · 1969". The camera rises and turns toward the round Earth hanging above the horizon.
0:21–0:24 | THINK
The Earth shrinks into a circular silicon wafer, shimmering with a dense grid of microchip patterns that catch light in shifting iridescent blue and white. Tiny circuit lines pulse with light. "THINK" slides in. Label: "SANTA CLARA · 1971". The camera pushes toward a single chip at the center and through its glowing grid.
0:24–0:28 | THE BIGGEST CIRCLE
The camera emerges and pulls back smoothly in one long, graceful move. Every circle from the film is revealed nested inside the next, in perfect concentric rings: sand circle, oculus, rose window, globe, lens, flywheel, Moon, wafer, glowing in blue and white. In the center, in the massive condensed typeface, the title builds:
Line 1: "WESTERN CIVILIZATION"
Line 2, small monospace beneath: "Every age drew a bigger circle."
The bone-white guide circle that has been on screen all along sweeps around the title once and closes. In the final half-second, the camera begins pushing back in toward the center, and the image dissolves into fine pale sand, matching the very first frame so the video loops seamlessly.
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
MUSIC: an original, modern cinematic instrumental, exactly 120 BPM, 4/4, in a minor key that lifts to major for the title. Style: pulse-driven cinematic electronic, like a modern tech-documentary trailer: tense, hypnotic, building. Core elements: a deep, steady heartbeat-like sub pulse on every beat, a short repeating four-note piano motif played clean and bright, tight staccato strings that grow faster through the film, and a sucking reverse-swell whoosh every time the camera dives through a circle, landing on a crisp low impact on the downbeat as the next era appears.
Structure synced to the picture:
0:00–0:03: only the sub pulse and the piano motif, with the soft scrape of the compass in the sand.
0:03–0:06: staccato strings enter; the first dive lands on a deep impact.
0:06–0:12: a wordless choir pad swells under the strings; each dive gets its own whoosh and impact.
0:12–0:18: the strings double in speed, metallic percussion enters with the flywheel, the piano motif climbs higher.
0:18–0:21: everything drops to near-silence except the sub pulse and a single sustained high string note, for the stillness of the Moon.
0:21–0:24: a fast rising riser and snare roll build hard under the microchip scene, then half a second of total silence.
0:24–0:28: the big payoff: the full piano motif in a major key with strings, choir and a deep impact as the title builds, then everything fades to the lone sub pulse and the soft compass scrape from the opening, so the music loops with the video.
No vocals with words, no lyrics, no pop beats, no EDM drops. Modern, tense, emotional and polished.
NO logos, NO watermarks, NO real people's faces, NO parchment textures, NO serif fonts, NO red or gold colors, NO extra text beyond what is specified.Prompt 4: OpenAI vs xAI - Wrestling - Fun Part
TITLE: "OPENAI vs. ANTHROPIC — The Main Event"
FORMAT: exactly 30 seconds, 16:9, 1920x1080, native 60fps with perfectly constant frame pacing. Ultra-smooth: no stutter, no frame skipping, no jitter, no flicker, no warping or melting bodies, no extra limbs or fingers. Cinematic camera moves only: smooth cranes, orbiting dolly shots and slow-motion replays, all easing in and out. Transitions between rounds use a quick, clean whip-pan or a bright flash on the bell. All on-screen text stays sharp, stable and correctly spelled.
STYLE: ultra-realistic, photorealistic cinematic live-broadcast look of a massive pro-wrestling event. A packed dark arena, a brightly lit wrestling ring at center with taut ropes and padded turnbuckles, haze drifting through sweeping spotlights, camera flashes across the crowd, pyrotechnic sparks, giant LED screens. Shallow depth of field, anamorphic lens flares, rich contrast, subtle film grain. Real skin texture, real sweat, real fabric, real physics.
THE WRESTLERS (no human faces anywhere):
WHITE CORNER — a muscular, athletic human body of a pro wrestler in a glossy white-and-black singlet, white boots and black kneepads. In place of a head, a large three-dimensional OpenAI logo emblem sits on the neck, about the size of a head, made of polished black metal with a soft white glow at its edges. It turns and tilts like a head would. Corner banner: "OPENAI".
COPPER CORNER — a muscular, athletic human body of a pro wrestler in a matte copper-orange and cream singlet, cream boots and copper kneepads. In place of a head, a large three-dimensional Anthropic logo emblem sits on the neck, about the size of a head, made of brushed cream ceramic with a warm copper glow at its edges. It turns and tilts like a head would. Corner banner: "ANTHROPIC".
REFEREE — a human body in a black-and-white striped referee shirt, with a plain glossy black sphere in place of a head.
Both wrestlers move with heavy, realistic physical weight: ropes stretch, the mat shakes and bounces, sweat flies on impact.
BROADCAST GRAPHICS: a bold lower-third banner for each round in heavy condensed uppercase sans-serif, white text on a slanted black bar with a copper-and-white split edge, sliding in smoothly from the left with a light glint across it. "ROUND #" sits above the main line in small text.
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
0:00–0:03 | MAIN EVENT
The camera cranes down from high above the arena through the haze toward the ring as spotlights sweep the screaming crowd and pyro bursts on both sides of the entrance ramp. Huge text slams onto the screen: "OPENAI vs. ANTHROPIC", then beneath it, "THE MAIN EVENT".
0:03–0:07 | ROUND 1 — THE HOUSE
The OpenAI wrestler walks down the ramp through smoke and sparks, followed by a small crew of wrestlers in matching white team jackets with plain black sphere heads. They climb into the ring together and raise their arms to the crowd. Lower third: "ROUND 1" / "2015 — OPENAI IS FOUNDED".
0:07–0:10 | ROUND 2 — THE BREAKAWAY
In the ring, one crew member in a white team jacket steps forward. Its sphere head lights up and transforms into the Anthropic logo emblem. It rips off the white jacket in one dramatic motion, revealing the copper-and-cream singlet underneath, then steps through the ropes and walks across to the opposite corner. The OpenAI wrestler watches, arms crossed. The crowd gasps. Lower third: "ROUND 2" / "2021 — FORMER OPENAI LEADERS FOUND ANTHROPIC".
0:10–0:13 | ROUND 3 — THE BELT
The referee hands the OpenAI wrestler a gleaming gold championship belt. It lifts the belt overhead and spins under the spotlight as white confetti rains down and the crowd explodes. Lower third: "ROUND 3" / "NOV 2022 — CHATGPT LAUNCHES".
0:13–0:16 | ROUND 4 — THE CHALLENGER
Lights cut to black. A single warm spotlight hits the top of the ramp. The Anthropic wrestler makes a dramatic entrance through a wall of copper sparks and warm smoke, slapping hands with fans along the barrier as it walks. Lower third: "ROUND 4" / "MAR 2023 — CLAUDE LAUNCHES".
0:16–0:19 | ROUND 5 — THE SPONSORS
Back in the ring, the OpenAI wrestler flexes for the crowd, and blank colorful sponsor patches suddenly pop onto its singlet, one after another, with comedic little pops, until its whole body is covered in them like a racing car. A tiny blank billboard even pops up on its shoulder. It looks down at itself, surprised. Lower third: "ROUND 5" / "JAN 2026 — OPENAI ANNOUNCES ADS IN CHATGPT".
0:19–0:24 | ROUND 6 — THE SUPER BOWL
The Anthropic wrestler holds up a huge foam sign reading "NO ADS", tosses it aside, runs at the ropes, bounces off them and hits a flying dropkick. The OpenAI wrestler staggers, then fires back: it catches the Anthropic wrestler and lands a huge body slam that shakes the entire ring. The two trade heavy, ultra-realistic punches and kicks, sweat flying on each impact. Cut to a slow-motion replay of the body slam from a low angle, the mat bouncing and sweat and dust hanging in the air, the crowd on its feet. Lower third: "ROUND 6" / "FEB 2026 — THE SUPER BOWL AD WAR".
0:24–0:28 | THE VERDICT
Both wrestlers stagger to their feet, exhausted, facing each other in the center of the ring. The referee steps between them, grabs both their wrists and raises both arms at the same time. The crowd erupts as copper and white confetti falls together. Lower third: "VERDICT" / "NO WINNER YET".
0:28–0:30 | YOUR CALL
Both wrestlers turn to face the camera and point straight at it at the same time. The screen freezes on the pose, and a bold final card slams in: "NEXT ROUND: YOU DECIDE." with "CHATGPT OR CLAUDE?" beneath it.
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
MUSIC & SOUND: an original, high-energy pro-wrestling entrance anthem, about 140 BPM, heavy and fun. Core elements: a crunchy, catchy distorted electric guitar riff, pounding stadium drums, big low brass hits and a rumbling bass. Layered with arena sound design: a roaring crowd, rhythmic chanting and stomping, the ring bell, heavy body-impact thuds on every hit, pyro booms, and a whoosh with every lower-third graphic.
0:00–0:03: a deep rumble and crowd roar build, a pyro boom, then the guitar riff kicks in hard on the title.
0:03–0:13: the anthem drives the entrance and the belt; a loud crowd gasp on the jacket rip in Round 2.
0:13–0:16: the music cuts out for a beat of darkness, then explodes back in with a huge drum hit for the challenger's entrance.
0:16–0:19: the music drops to a comedic, bouncy bassline with a little "pop" sound for every sponsor patch, and a cartoonish record scratch when the wrestler looks down at itself.
0:19–0:24: the ring bell rings, the music hits peak intensity, heavy impacts on every punch, kick and the body slam; during the slow-motion replay, everything slows to a deep, stretched rumble.
0:24–0:28: a big triumphant chord as both arms are raised, the crowd erupting.
0:28–0:30: one final dramatic guitar sting and a ring bell on the freeze frame.
No sung vocals and no announcer voice.
NO human faces, NO real people, NO watermarks, NO extra text beyond what is specified.Prompt 5: Product Launching Ad
TITLE: "Verso — The pen that remembers."
FORMAT: exactly 30 seconds, 16:9, 1920x1080, native 60fps with perfectly constant frame pacing. Ultra-smooth: no stutter, no frame skipping, no jitter, no flicker, no warping or bending of the product. Slow, precise, motion-controlled camera moves only: smooth orbits, gentle push-ins, slow rotations of the product, all easing in and out. Transitions are clean and minimal: a soft cross-dissolve, a light sweep across the product, or a match cut on the product's shape. All text stays sharp, stable and correctly spelled.
STYLE: ultra-realistic, photorealistic premium tech launch film, in the style of a flagship smartphone reveal. Alternating pure black (#000000) and soft off-white (#F5F5F7) studio backgrounds, perfectly clean, infinite, with no visible floor edge. Product lighting is the star: large soft overhead light, thin traveling rim lights that sweep along the pen's body, crisp specular highlights on metal, very shallow depth of field on macro shots, subtle reflections beneath the product. Calm, confident, minimal. Lots of negative space.
THE PRODUCT: "Verso," a premium AI smart pen. A slim cylindrical body, 14cm long, in anodized aluminum with a fine bead-blasted matte finish. A polished stainless steel band near the top, with a ring of tiny laser-drilled microphone holes. A tiny pill-shaped status light set into the band. A precise ballpoint tip surrounded by a very small, ring-shaped camera lens of dark glass, glinting when light hits it. A smooth click button on top. "VERSO" is laser-etched in small, clean, uppercase letters along the body. Colorways: Graphite (dark grey), Ivory (warm white) and Sage (soft muted green).
TYPOGRAPHY: a clean, modern, neutral sans-serif in the style of a premium tech brand. Main lines in semibold, centered, white on black or near-black on off-white. Sublines smaller, in medium grey, directly beneath. Big spec numbers set very large and light. Text fades in softly with a slight upward drift and fades out the same way. No other graphics.
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
0:00–0:03 | WRITE.
Pure black. The Graphite pen floats vertically in darkness, rotating very slowly. A single thin rim light travels from top to bottom along its edge, revealing its silhouette. Text fades in beneath it: "Write."
0:03–0:06 | THE REVEAL
The camera pushes in as the pen tilts to a dramatic three-quarter angle. Its top button clicks down in crisp macro detail, and the tip extends. Soft key light fills the whole pen, revealing its matte finish and steel band. Text: "Verso" in large semibold, with "The pen that remembers." beneath it in grey.
0:06–0:09 | THE CAMERA
Extreme macro of the pen tip, slowly orbiting. A thin ring of light sweeps around the tip and catches the tiny ring-shaped camera lens around the ballpoint, which glints like a jewel. Text: "A camera in the tip." with "Captures every stroke." beneath.
0:09–0:12 | INK TO DIGITAL
Off-white background. Top-down view: the Ivory pen writes a short handwritten note on a sheet of clean white paper. Beside the paper, a modern smartphone lies flat, and the same handwriting appears on its screen in real time as crisp, typed digital text. Text: "Handwriting, digitized." with "Instantly." beneath.
0:12–0:15 | THE MICROPHONES
Black background. Macro of the steel band, slowly rotating, the light catching the ring of laser-drilled microphone holes. The tiny status light on the band glows soft white, and fine, glowing sound-wave lines ripple outward from the band. Text: "Three-mic array." with "A visible light lets everyone know it's recording." beneath.
0:15–0:18 | TRANSCRIBED
Off-white background. The smartphone stands upright at a slight angle. Its screen shows a meeting transcript scrolling smoothly, with speaker names, timestamps and a neat summary with bullet points at the top. The pen lies elegantly in front of it. Text: "Transcribed. Summarized." with "Every meeting. Every lecture." beneath.
0:18–0:21 | INSIDE
Black background. An exploded view: the pen's components float slowly apart along its length in perfect alignment: the aluminum shell, the steel band, the microphone array, a slim battery cell, a tiny circuit board, the camera module and the ink cartridge. Each part catches the light as it separates. Then they glide smoothly back together into the complete pen. Text: "One charge. All week." with "Up to 30 hours of recording." beneath.
0:21–0:24 | LIGHT
Off-white background. The pen balances horizontally, perfectly still, on a single fingertip, with a soft shadow beneath it. The camera slowly orbits. Text: the large light number "18 g", with "Lighter than it looks." beneath.
0:24–0:27 | COLORS
Off-white background. Three pens stand upright side by side, slowly rotating in sync: Graphite, Ivory and Sage. Small grey labels fade in under each: "Graphite", "Ivory", "Sage".
0:27–0:30 | END CARD
Pure black. The Graphite pen lies horizontally, centered, glowing with a soft rim light, and a final light sweep travels along its body from tip to button. Text beneath: "Verso" in large semibold, then "Pre-order today." in a soft blue. At the very bottom, tiny grey text: "Concept product. Features and specifications shown are illustrative."
━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━
MUSIC & SOUND: an original, minimal, premium tech-launch score, about 100 BPM, in a warm major key. Calm and elegant at the start, quietly building to a confident, uplifting finish. Core elements: a soft, bright piano motif of a few simple notes, a warm analog synth pad, a subtle deep pulse on each beat, and light, airy percussion that enters halfway through. Sound design is minimal and crisp: a clean metallic click when the pen button presses, a soft pen-on-paper scratch while writing, a gentle shimmer when the camera lens glints, a soft whoosh as the exploded parts float apart and a satisfying snap as they lock back together.
0:00–0:06: just the piano motif over the pad, with the button click landing exactly on a beat at the reveal.
0:06–0:15: the pulse and light percussion enter; the pen-writing scratch and lens shimmer sit softly on top.
0:15–0:24: the music builds with a fuller pad and a rising melody.
0:24–0:30: a warm, uplifting final chord on the end card, then a gentle fade to silence.
No vocals, no lyrics, no voiceover.
NO logos of real brands, NO human faces, NO watermarks, NO extra text beyond what is specified.Best Practices From a Week of Testing
Always give a second-by-second timeline. Vague prompts get vague motion.
Always give hex codes. “Blue” gets you a random blue. #3B82F6 gets you your blue.
Always ban linear motion. It’s the single biggest quality jump.
Fix one thing per message. Five fixes in one message and Claude breaks something that was working.
Save your brand settings. Put your colors, fonts, and motion rules in a Claude Project, or a skill once, and every video matches without retyping. If you’d rather not build that system yourself, ClaudeKit ships it ready to go: theclaudekit.com
Don’t fight it for long-form. Under 30 seconds, it shines. Two-minute videos need to be built in scenes, not one prompt.
Slow Down For a Second
The prompts give you motion.
They don’t give you taste.
The difference between a video people scroll past and one they share isn’t the tool anymore.
It’s knowing what to cut, what to slow down, and what to say in 15 seconds.
That part is still your job.
Make five versions.
Watch them on your phone.
Post the one you’d stop scrolling for.
Recap Checklist
[ ] Open claude.ai and select Opus 5.5
[ ] Copy one of the 5 prompts above
[ ] Swap in your brand name, colors, and copy
[ ] Watch the preview full screen
[ ] Fix one thing per follow-up message
[ ] Screen record and post
The Full Library Is Below
You’ve seen 5 prompts.
Paid members get all 100+ copy-paste prompts in 10 different categories.
Just copy the prompts and make your brand video, product launch ad, and many more with a single prompt.
